The
Okinawa International Hokama Kobudo Organization
The
IHKO is an organization with branches in
several countries and which goal is to teach and promote
traditional Okinawan Kobudo (Okinawan Weapon Arts) as taught
by Hokama Tetsuhiro Hanshi (10th Dan). Hokama Tetsuhiro
is known mainly for being the curator of the Okinawan Karate
and Kobujutsu Museum and as an internationally recognized
expert of old style Okinawa Goju Ryu from the Higa Seiko
lineage. But it is less known that he is also one of Okinawa’s
leading Kobudo masters. His Kobudo training began with his
Grand Father (Tokuyama Seiken) who was a student of Oshiro
Chojo (1887-1935). Oshiro Chojo was the student of Chinen
Sanda (1842-1925) who was a student of the famous Bushi
Chinen Kana (1797-1881).
In
order to promote and preserve the old ways of Kobudo, Hokama
Hanshi created the Okinawa International Hokama Kobudo Organization
as a separate organization from his International Kenshi-kai
(Goju) Organization. The Wakefield Traditional Karate Association
and its students who train in Kobudo are honored to be members
of Hokama Hanshi’s Kobudo organization and are under
the direct guidance of Hokama’s representative in
the United States, Luis Morales Sensei (7th Dan Kenshi-kai
Goju Ryu, 8th Dan Kobudo). You may find more information
about Hokama Hanshi and Luis Morales Sensei, at the following
website:
http://www.uskenshikai.com/index.htm
History
of Kobudo
Okinawan
Kobudo (also known as Ryukyu Kobu-jutsu, Koryu, or just
as Kobudo) is a Japanese term that can be translated as
“Ancient Martial way of Okinawa.” It has as
long a history as the human settlement and use of weapons
on the island. However, it went through a particular development
in the Sanzan or three warring kingdoms period in the 11th
and 12th centuries. At that time three kingdoms: Nanzan
(Ozato Aji), Hokuzan (Nakijin Aji) and Chuzan King (King
Tamagusuku) fought intense battles to control the island.
It is at this time that various weapons and other martial
technologies such as castle construction and siege warfare
were developed. These battles finally resulted in the unification
of the Island in the 15th century under the Shuri Dynasty.
The
art was further developed within this new centralized Shuri
warrior class (Pechin) of Okinawa. Like many other Asian
countries these weapons traditionally included the sword,
the spear, the battle axe, the halberd and various other
bladed weapons and like Karate they came mainly from China.
But other weapons were also imported from other South East
Asian countries such as Thailand, Indonesia and Malaysia.
There is no doubt that the arts surrounding these weapons
would have continued their natural evolution had it not
been for two important historical events. The first was
the Order of the Sword an edict by King Soshin (1477-1526)
by which the Okinawan people and the warrior classes were
no longer allowed to bear arms. The second was the 'Policy
of Banning Weapons' enforced after the Satsuma Invasion
in1609.
The
invasion of the Japanese Satsuma clan resulted in the repression
and oppression of the indigenous Okinawan warrior classes
and nobility (Aji). The Satsuma edict banning the use of
weapons was no doubt aimed at avoiding the possibility of
popular uprisings against a foreign invader. In turn, this
repression caused the warriors of Okinawa to adopt various
household farming implements as surrogates for their previous
bladed arts. These surrogates included such weapons as the:
Bo
(Wooden Staff)
Sai (Trucheon)
Tonfa (Millstone Handle)
Nunchaku, (Rice Flail, or Horse Bit and Bridle)
Kama (Farming Sickle)
Tekko (Metal Knuckles)
Tinbe-rochin (Small Turtle Back Shield and Short Spear)
Surujin (Common Chain)
Eku (Boat Oar)
Tambo (Short Staff or Stick)
Kuwa (Farming Hoe)
Nunti (A Staff with a Sai placed on the end)
Sansetkun (Three Sectional staff)
As
can be seen in the above list, it is clear that Okinawan
warriors were choosing and developing weapons most similar
to those they had previously used. For example, the Nunti
replaced the halberd and the Bo the spear, etc.. In time
though, specific strategies would develop using the unique
attributes of each of these weapons and something similar
to the modern art of Ryukyu Kobujutsu was born.
But
the invasion had a second important effect. The repression
by the Satsuma’s caused the Okinawa warrior class
to develop these arts in a clandestine way. Because of this,
Kobudo remained a secret family tradition right up to the
20th century, when Okinawan popular cultural movements,
as well as the modernization of Japan allowed the Okinawan
weapon arts to come out of hiding. The leaders of this popular
Kobudo movement were: Moden Yabiku (1878-1941), Shinko Matayoshi
(1888-1947), Shinken Taira (1897-1970), and Oshiro Chojo
(1887-1935). Through their tireless efforts the organization
of schools and associations teaching Kobudo openly, greatly
accelerated. More important for us Oshiro Chojo would teach
those arts to Master Hokama Tetsuhiro Hanshi’s Grand
Father.
A
Note About Kobudo Styles or Systems
Unlike
Modern Karate which clearly delineates between Naha Te,
Shuri Te and Tomari Te based styles, modern Kobudo systems
are largely compilations of different kata and techniques
derived from various family lineages and geographic locations.
Therefore, most Kobudo Kata bear the name of either a person
who is believed to have originally developed the kata such
as Sakagawa no Sai or “Sai from a person called Sakugawa,”
or the name of the village where they came from such as
Hama Higa no Tonfa or “Tonfa from the village of Hama
Higa.”
Therefore,
the most popular styles of Kobudo today are collections
of these different Katas and traditions. The genius of the
modern compilers was to introduce progressive training methods
as well as the systematization of Kobudo’s pedagogy.
Through their tireless efforts and now Hokama Hanshi’s
these weapon arts have been preserved for future human generations.
The
Curriculum of the Okinawa International Hokama Kobudo Organization
The
curriculum of the Okinawa International Hokama Kobudo Organization
contains all the classical Kobudo weapons used in Okinawa,
but also many rarer forms of weapons not usually seen outside
of Okinawa such as the Sansetkun (Three sectional staff)
and the Eku (Boat Oar). Here is a list of Kata commonly
taught by the Organization:
Kumi
Bo (Two Man Staff set)
Oshiro (Uhugushuku) no kon (Staff of Oshiro)
Sakugawa no kon (Staff of Sakugawa)
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